Friday, 25 October 2013

Peelfest! #2

 
Today marks the ninth year since the passing of Uncle John, so in what's becoming a nascent tradition here at Maggot Caviar, here are five more sessions, one from each decade of Peel's broadcasting career.

Futile to speculate as it may be but it's curious to think how (and where) exactly Peel would fit in with today's music climate if he hadn't passed away so unexpectedly. Already feeling marginalised at Radio 1 in the final year of his life, it's tempting to think he would have found a home at 6 Music, even if it was at the expense of his youngest son's career, and continue to both delight and confound we the audience with strange sounds from the unknown, much like Tom Ravenscroft continues to do today.

First up is a set from Davy Graham recorded live on air in 1968 during one of Peel's short-lived Night Ride shows. Today the live session is the norm and seems to have consigned the pre-recorded Maida Vale sessions into the annals of history along with decades of accumulated master tapes sealed in the BBC vaults.

 
Bruton Town
Tristano
I'm Ready
Rock Me
Good Morning Blues

 


Jumping forward a decade we have the first of two sessions The Selecter taped at Maida Vale. My knowledge of this Coventry combo doesn't extend much beyond the hits On My Radio, Three Minute Hero and Missing Words, plus a vague recollection of singer Pauline Black hosting a children's tv quiz show in the early eighties. However, a few weeks after returning to my hometown after a baker's dozen years languishing in redneck obscurity on the Sussex coast, I witnessed Selector Acoustic perform at the Tudor Rooms -  a venue usually the reserved for wedding-related functions - in Tamworth to an audience of no more than 20 people that were largely made up of the support band Fishnet Parachutes and its spouses. Just last Sunday gone I saw the full line up turn in a superb set at Birmingham Academy as support to Pil. I didn't have this session in my personal archive, so I've unashamedly copped the link from the Museum Of Radio Sessions.



They Make Me Mad
Carry Go Bring Come
Street Feeling
Danger

Link above expired. Try Fruitier Than Thou.



Isle Of Sheppey's finest popstars ever to grace the international stage recorded just this one session for John Peel; next Halloween marks the 30th anniversary of its first broadcast. Two of the songs taped at the session would be included on their hair-pulling outingly rare lone album (posted elsewhere on this blog) from 1986. With the formation of the Strange Fruit label a couple of years later many a Peel session became commercially available for the first time, initially in the 12" ep format housed in generic monochromatic sleeves. Amid the first batch of more financially viable releases that included the likes of The Damned, New Order and Stiff Little Fingers, at Peel's behest the Twa Toots session became the fledgling label's tenth release. Fans who may own the compilation Don't Send Me Flowers, the versions of Yo-Yo and A New Depression are not the same as those included on the album, and have been unavailable commercially since.
 
Yo-Yo
Please Don't Play A Rainy Night In Georgia
A New Depression
Lovely Day


 
 
 
Admittedly, I've posted this session once before, but upon the realisation I have little from the nineties that hasn't already been splattered across youtube or pressed up on the Satan's Frisbee format and with the release of Euros Childs new album Situation Comedy this week it seems fitting to repost this session here.
 
Meirion Wyllt
Dwm Ath Sain
Young Girls, Happy Endings
Patio Song

 
 
 
 
The Wisdom of Harry was the turn of the century nom de plume of former Loft/Weather Prophets mainman Peter Astor. After an unsuccessful dalliance with the majors, Astor found some success in France as a solo artist at the start of the nineties. Towards the end of the decade he began releasing a series of limited edition 7" singles as WoH later compiled of the Stars Of Super 8 album the following year. Continuing with the soporific melodic pop template of his previous outfits but adding subtle electronic beats and unique samples, debut lp proper, House Of Binary,  released in 2000 remains, to these ears, Astor's most satisfying work to date. One more album in under this guise, Torch Division, surfaced in 2003 in a more stripped down lo-fi vein. This is the only session WoH recorded for Peel, which includes a breathtaking cover of The Fall's Rebellious Jukebox, whereby Astor succeeds in making the song his own. The following month Astor was in attendance at the Peel Acres Christmas party where he performed Lawrence's rare Denim song I Will Cry At Christmas.
 
Shiny Shiny Pimp Mobile
I'm Gonna Make My Life Right
Rebellious Jukebox
Hail Tinseltown
 
 


Thursday, 3 October 2013

Bina - Kershaw Session 26/9/1991


In an age of Big Brothery nosy parkery on a level that not even George Orwell could have forseen, it's kind of heartwarming to know that there are some people out there in the real world who have managed, quite literally, to escape the net.

Born in Tanzania, Bina Mistry was a merchant banker living in London by the time she released her debut album, Ajnabee (Stranger) in 1991. Later that same year four songs from the album were re-recorded for the BBC and first transmitted on Andy Kershaw's show in November.

Later Bina would contribute a song, Hot Hot Hot, to the film soundtrack Bend It Like Beckham and release a more commercially-orientated cover of My Boy Lollipop as a single, far removed from the ghazal style recordings presented here.

If anyone has any information on Bina Mistry, please leave a comment below.

Ajnabee
Ay Dar Masty
Beautiful People Are Never Faithful
Teaching Me Like This